![]() "Movies changed the way she dreamed,” Mitchell says in the opening of the film. The observation is typical of Mitchell's playfully provocative, historically incisive documentary – co-produced by Steven Soderbergh and David Fincher – a rigorous, richly entertaining, and deeply personal work that surveys the explosive period of creativity in Black filmmaking from 1968 through to 1978. "An off-white take on Black cool," Mitchell says. ![]() "Every generation gets its own Elvis, or Eminem," Mitchell quips in his new documentary Is That Black Enough for You?!?, as he cuts between Travolta's prancing Tony Manero and Richard Roundtree's formidable entrance to the 1971 blaxploitation classic Shaft, their propulsive theme songs and sartorial swagger an unmistakable echo of each other. It's one of Hollywood's most iconic opening moments – the camera sizing up John Travolta as he struts down the sidewalk to the Bee Gees in Saturday Night Fever (1977) – and one that was, to hear critic and filmmaker Elvis Mitchell tell it, more or less a brazen steal from the Black cinema of the era.
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